{"id":3573,"date":"2023-12-19T06:42:40","date_gmt":"2023-12-19T06:42:40","guid":{"rendered":"https:\/\/cisterninorefitting.it\/biography\/"},"modified":"2024-11-22T13:30:50","modified_gmt":"2024-11-22T13:30:50","slug":"biography","status":"publish","type":"page","link":"https:\/\/cisterninorefitting.it\/en\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"\t\t
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Biography<\/span><\/div>

C<\/span>a<\/span>r<\/span>m<\/span>i<\/span>n<\/span>e<\/span> <\/span> C<\/span>i<\/span>s<\/span>t<\/span>e<\/span>r<\/span>n<\/span>i<\/span>n<\/span>o<\/span> <\/span><\/span><\/h2>
Carmine<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tCisternino Carmine, started out as an artist, from a very young age showing his ability to create. He attended the art institute to hone his qualities. During his studio years, he collaborated on the restoration of works of art in the Foggia Museum. The earliest work is really refitting and reconstruction of various kinds of coatings. Ranging from various materials from resins to plastics, metal and wood, and more. Hence the more than 30 years of experience.

His continuous search for innovative techniques and new, high-quality materials lead him to always experiment with new procedures to achieve, always, the best results.\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Works<\/span><\/div>

S<\/span>o<\/span>m<\/span>e<\/span> <\/span> p<\/span>a<\/span>i<\/span>n<\/span>t<\/span>i<\/span>n<\/span>g<\/span>s<\/span> <\/span><\/span><\/h2><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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The painting technique used by the artist is very complex and detailed, the material is almost always oil, usually on canvas but he also does not disdain more rigid media such as wood or cloth board. The artist often overlooks unrealism, also portraying nymphs, mermaids and other worlds <\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Hunger of planets
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Oil on canvas 70x50<\/div>

FAME DI MONDI
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In this work, there is a depiction of humanity in perpetual pursuit of well-being that is, however, leading it to devour its own planet. Like these sensual and enormous mouths that are about to take one bite out of the Earth and then, like cherries, they will eat another world and then another, without stopping.
VERSO NUOVE RISORSE
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This work recalls the concept of devouring one's own world, emptying it of its resources and setting off in search of new worlds to suck. <\/p>\n<\/div><\/div><\/div><\/div>

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Mother nature<\/h5><\/div>
Oil on canvas 60x80<\/div>

ALBA<\/strong>
Like a sunrise waking up to the world, mother nature comes to life and is embodied in a woman clothed in rock and forest who sinks her fingers into the earth and becomes an integral part of it and the little village below that she cares to watch over and protect.
MONTE ROSA<\/strong>
From the mountain emerges this \"mother nature\" who merges with the landscape and remains there, relaxed to protect the village and the surrounding mountains, investing them with peace and tranquility. <\/p>\n<\/div><\/div><\/div><\/div>

\"Sirene\"<\/span><\/div><\/div><\/div>
Sirens<\/h5><\/div>
Oil on board 120x60<\/div>

IL RICHIAMO DEL MARE
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Who among us has never imagined what a mermaid might look like? The author has imagined her in the moment when the sea makes its call heard and draws her to itself, allowing for the metamorphosis of an earthly being into an immortal myth. With each additional step into the water, her skin transforms and colors to adapt to her aquatic life. Before she completes her metamorphosis, she grants the viewer one last, bewitching glance that invites one to follow her on her adventure into the depths of the abyss.
LA SIRENA DEL LAGO
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Here the mermaid , newly emerged from the waters, this time gentle, of a mountain lake, she sheds her old skin to adapt to the earthly world, but does not abandon her ability to enchant and bewitch even with a single glance. <\/p>\n<\/div><\/div><\/div><\/div>

\"Profezie\"<\/span><\/div><\/div><\/div>
Prophecies<\/h5><\/div>
Oil on canvas board 50x70<\/div>

APOCALISSE<\/strong>
From the pages of the book of apocalypse comes a personal interpretation of the struggle of good against evil. Strange events are visible in heaven and on earth. The fall of religions, the barrenness of the earth, the sea turning to blood, the dying of fish that takes human physicality even to interpret man's strange experiments. That time is running out is visible from both the woman and the hourglass but that last slice of blue in the sky shows us a modicum of hope.
IL GIOCO DEI POTERI
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Just as in a game of chess, the powerful of the earth are gambling the fate of mankind. Thus the artist predicts the fall of the towers, many years before the event. <\/p>\n<\/div><\/div><\/div><\/div>

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Visions<\/h5><\/div>
Oil on canvas 70x60<\/div>

ANGELO DELLA NOTTE
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Angel illuminator of darkness, bringing light into the darkness.
NATURA MORTALE
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A parody of the usual still life in which there are not fruits and vegetables but unusual depictions that conceal an unexpected and unpleasant twist. <\/p>\n<\/div><\/div><\/div><\/div>

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The Other World<\/h5><\/div>
Triptych<\/div>

L'ALTRO MONDO<\/strong>
This time it is from a parallel world that a figure emerges to observe ours...turning curious attention to it.
IL TENTATIVO<\/strong>
Desiring to want to see more, to want to be part of this world as well, this character looks for a way into it.
LA SOLUZIONE<\/strong>
The subject takes courage and happily decides to give both this reality a \"rip.\"<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div>

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Biography Carmine Cisternino Carmine Cisternino Carmine, started out as an artist, from a very young age showing his ability to create. He attended the art institute to hone his qualities. During his studio years, he collaborated on the restoration of works of art in the Foggia Museum. The earliest work is really refitting and reconstruction […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"footnotes":""},"class_list":["post-3573","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/pages\/3573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/comments?post=3573"}],"version-history":[{"count":9,"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/pages\/3573\/revisions"}],"predecessor-version":[{"id":4143,"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/pages\/3573\/revisions\/4143"}],"wp:attachment":[{"href":"https:\/\/cisterninorefitting.it\/en\/wp-json\/wp\/v2\/media?parent=3573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}